'Breaking Bad' - A Focus on Characters

As the 'Working with Actors' workshops are driven by the characters on-screen, I researched existing texts that have utilised their character driven stories to full effect.

'Breaking Bad', one of the most acclaimed TV series' to date is a masterpiece when it comes to creating a successful drama. From it's characters, the twists and turns, the storyline, the beautiful 35mm film they shoot on, the editing and more.

"It's all about the characters"

When it comes to editing, Lynne Willingham the editor (seasons 1 & 2), discovered finding the time for leaving characters in open spaces would help define the rhythm of the show. Breaking Bad is a character study and the people in it are the most important, therefore the performances are one of the key elements to the success of this critically acclaimed drama. 

Lynne says it's about blending the best performances from everybody and the fabulous look of the show. They attempt to make the show appear like a small movie by taking the finest actors they could find and putting it all together. Each episode (in my opinion) feels like a movie itself. The wonderfully lit and framed shots on 35mm film with the superb acting all help this drama come together. 

Breaking Bad's style utilises wide open spaces, to emphasise some of the character's solitude. The shots also set the tone for the show, they establish the locations and feel of the piece. The director said it unsettles the audience and throws you off your expectations.

Lynne says editing is "the invisible art", and indeed it is. A successful editor is someone who can edit a piece together and no one notices or picks up on it. If it feels natural and smooth, then the editor has done their job. Throughout my three+ years at university whilst editing my projects, I have tried to sit back and put myself in the shoes of the audience. If the piece feels right, then I've done a good job. If there are certain cuts that unsettle me then the edit needs altering. I certainly have a passion for editing as well as cinematography and I believe that I will be able to create a visually striking piece that fits the director's vision.

Aaron Paul (left) & Bryan Cranston (right)

"What I’ve been able to, in my history of editing, is marry what the director wants and what the writer wants, and help them achieve their vision without compromising either one." A quote that I stand by during the production of each project I undertake.